Announcing Arc: a new magazine about the future from the makers of New Scientist

arcfinity:

February 2012 will see the debut of Arc, a bold new digital publication from the makers of New Scientist.
 
Arc will explore the future through cutting-edge science fiction and forward-looking essays by some of the world’s most celebrated authors – backed up with columns by thinkers and practitioners from the worlds of books, design, gaming, film and more.
 
Arc 1.1 is edited by Simon Ings, author of acclaimed genre-spanning novels The Weight of Numbers and Dead Water. Simon, who made his name with a trio of ground-breaking cyberpunk novels, is a frequent commentator on science, science fiction and all points in between.
 
“Arc is an experiment in how we talk about the future,” Simon explains. “We wanted to get past sterile ‘visions’ and dream up futures that evoke textures and flavours and passions.” The response, he says, has been amazing. “I feel like the dog that caught the car,” he says. “The appetite to be part of this project has been huge. Writers have seized the opportunity to showcase their thoughts, their dreams, their anxieties and their opinions about our future.”
 
For New Scientist editor Sumit Paul-Choudhury, Arc is an opportunity to explore new territory.  “We’ve known for many years that our readers are fascinated by the future and all the possibilities it raises. But as a magazine of science fact, we can’t indulge that fascination very often,” he explains. “Arc will explore the endless vistas opened up by today’s science and technology. While it’s a very different venture from New Scientist, it will share its unique combination of intelligence, wit and charm.”
 
John MacFarlane, Online Publisher of New Scientist, says “I am thrilled to be involved in the launch of this new title. The combination of superb content and an innovative digital publishing model make for a very exciting project and I am sure a broad range of readers will love Arc.”
 
Arc 1.1 will be available from mid-February 2012 on iPad, Kindle and as a limited print edition.

This sounds interesting. Although science fiction authors might not be the best sources for actually predicting the future, they certain can write about it well.

As the noted SF writer and poet Tom Disch made clear in his 1999 book The Dreams Our Stuff Is Made of: How Science Fiction Conquered the World, the tropes developed in science fiction since 1900—alien invasions, telepathy, time travel, people-shaped robot helpers, travel to other planets, nuclear mutants, flying cars, immortality—are now universal in the culture without actually having come much closer in actuality, or even appearing at all. Meanwhile SF kept missing the things that in fact would happen. Disch’s own best novel, 334, published in 1974 and predicting the world of 2025, entirely missed the digital age just then dawning—not computers, which everyone knew would rule the world, but the universal accessibility of them, our ever-present freedoms and enchainments. But then almost every writer did. By the time William Gibson set his cyberpunk novels in a digital future, it had already come to be.

John Crowley, The Next Future